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All of us we know that to get habits much easier, than to get rid of them. Means, getting of useful habits will not allow to appear harmful, relieving of necessity to throw them, saving time and forces.

COMFORT IN WORK.

Spend a few time for arranging of a comfortable place for work. Choose that time when it is the most pleasant to you to be engaged and when nothing will disturb you. It is difficult to create a picture when constantly look through a shoulder, every minute you distract on the most ridiculous questions or make comments on each action. As a result there is a disputed, explosive situation. There is nothing good and in an illumination lack, noise and loud sounds. So, the thought over organisation of a place and time that anybody and nothing could prevent employment should become the first useful habit.

CLEANLINESS AND THE ORDER IN TOOLS.

For professionals it is a obvious thing, and beginners don’t realise advantage and an urgency of this habit at once. Take for a rule to wash brushes and palettes after work. Palettes with the colour mixes stirred for the subsequent work can become a unique exception. You will be surprised, how fast it can become a habit.

STORAGE OF WORKS.

Store the ready both left unfinished drawings and painting in folders or on special racks. Thanks to such simple care they will not be rumpled and get dusty. The skilful approach to storage of own works rescues from disappointments and the afflictions connected with their loss. At creative persons is frequent the case when work was not done completely, but has passed time and it would be desirable to return to it. The corresponding mood has returned, and it would be desirable to work. Only on the generated habit to accuracy depends if you can once continue the begun work postponed till the best times, or you should make a fresh start because of the negligence.

SIGNATURES AND RECORDS.

Sign the ready works, notice time spent for their creation. Such “statistics” will allow you to calculate the forces, to plan time, to track technical successes and achievements. It will be easy to you to reveal problem areas and further to work over them, getting necessary skills. There is time spent for trainings, an ability to control the time. Records will allow to optimise time. As the signed picture will relieve subsequently critics and collectors of a painful question: “Who has drawn the given masterpiece?”

SKETCHES AND IDEAS.

Memory — a thing unreliable, especially if matter concerns such fleeting concept, as idea. And a question is not in bad memory, and in features of mentality. The human perception is mobile. The thought, which has amazed us varies and can easily lose that charm and appeal, which have amazed us at the moment of its birth. Quite often it depreciates so quickly, that already through couple hours not clearly, than this idea was so good. Sketch and write down ideas in special notebooks or albums.

SHOW THE WORKS TO PEOPLE.

Certainly, it is a question of ready works. Show your pictures to people even if you hesitate. It is pleasant to nobody to hear bad responses. However the artist creates for people, so begin to give pleasure to others. Concern all responses, as to stimulus.

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